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Epiphone LP Special II Les Paul Collection Electric Guitar, Vintage Sunburst

admin — Thu, 11 Mar 2010 20:49:05 +0000

That trademark Les Paul shape in an economical package, including to open-coil Alnico V Humbucker pickups for great classic sound and the Tune-o-matic bridge/Stopbar tailpiece combo for sustain and that Les Paul signature tone. Les Paul Features in an Economical Package. Angled Headstock Unlike cheaper designs, all Epiphones feature a 14-degree headstock that gives you more pressure at the nut and so you get more sustain with less tuning hang-ups caused by "string-tree" gadgets. Alnico V Humbucker pickups and the industry-standard Tune-O-Matic bridge. Rosewood fretboard with dot inlays. Double-Waxed Pickups Epiphone utilizes a double vacuum waxing process that ensures optimum performance. The pickup is first placed in the specialized wax vacuuming system before the cover is put in place to ensure that the wax fully penetrates to the very center of the pickup and solidifies all parts. After the cover is placed on, it is again given a second vacuum wax bath until the unit is completely saturated with wax. Output Jack To increase reliability and ensure consistent performance, Epiphone's proprietary output jacks feature an improved contact shape and heavy-duty spring steel. Toggle Switches All Epiphones feature our all-metal, USA designed switches for reliable contact and longer life. Tunomatic Bridge Fully adjustable, the tunomatic remains a classic after over 50 years. Unlike guitars fitted with tremolos, there are no tuning or re-stringing difficulties. Plus, tone and sustain are improved because all string vibrations are transferred directly to the guitar. Potentiometers Epiphone is passionate about performance. That's why their instruments use one-inch diameter potentiometers for better "throw," longer life and reliable service. Quick-Connectors For unequalled reliability as well as ease of service, Epiphone wiring harnesses feature quick-connectors. Specs Pickups: 700T, 650R Hardware: Chrome Scale: 24.75 inches Nut width: 1.68 inches Neck: Bolt, Mahogany Fretboard: Rosewood Inlays: Dot Body material: Basswood Tailpiece: Stopbar Finishes available: Ebony, White, Heritage Cherry Sunburst, Vintage Sunburst, Wine Red

Epiphone Special-II Les Paul Performance Pack, Vintage Sunburst

admin — Thu, 11 Mar 2010 20:49:05 +0000

Our number one selling model comes with everything you need to get going on guitar. The Epiphone Special II Performance Pack is a great way for beginners to get started on guitar with real, Les Paul tone, just like seasoned pros love the Special II because its a great-sounding, workhorse guitar that lets them leave their more expensive axes at home. The authentic LP power starts with all-Mahogany construction with a Rosewood fingerboard and is voiced by a pair of hot open-coil 700T and 650R Humbucker pickups. Like all of our electric guitars, it comes standard-equipped with 500K Ohms potentiometers, our own heavy-duty 3-way pickup selector toggle switch and non-rotating heavy duty output jack. This value-champ also features Chrome hardware including the Epiphone LockToneâ�¢ locking Tune-o-matic bridge and Stop-bar tailpiece for amazing sustain and even more mind-blowing value. Accessories include: Studio 15R Guitar Amp (15 watts, 8" speaker, reverb) , gigbag, strap, cord, pitchpipe, picks, instructional DVD.

Epiphone Special-II Les Paul Player Pack, Vintage Sunburst

admin — Thu, 11 Mar 2010 20:49:05 +0000

Our number one selling model comes with everything you need to get going on guitar. The Epiphone Special II Player Pack is a great way for beginners to get started on guitar with real, Les Paul tone, just like seasoned pros love the Special II because its a great-sounding, workhorse guitar that lets them leave their more expensive axes at home. The authentic LP power starts with all-Mahogany construction with a Rosewood fingerboard and is voiced by a pair of hot open-coil 700T and 650R Humbucker pickups. Like all of our electric guitars, it comes standard-equipped with 500K Ohms potentiometers, our own heavy-duty 3-way pickup selector toggle switch and non-rotating heavy duty output jack. This value-champ also features Chrome hardware including the Epiphone LockToneâ�¢ locking Tune-o-matic bridge and Stop-bar tailpiece for amazing sustain and even more mind-blowing value. Accessories include: Studio 10 Guitar Amp, gigbag, strap, cord, pitchpipe, picks, instructional DVD.

Epiphone Lefty LP Special II Les Paul Collection Electric Guitar, Vintage Sunburst

admin — Thu, 11 Mar 2010 20:49:05 +0000

That trademark Les Paul shape in an economical package, including to open-coil Alnico V Humbucker pickups for great classic sound and the Tune-o-matic bridge/Stopbar tailpiece combo for sustain and that signature Les Paul tone. A Lefty With Les Paul Features in an Economical Package. Angled Headstock Unlike cheaper designs, all Epiphones feature a 14-degree headstock that gives you more pressure at the nut and so you get more sustain with less tuning hang-ups caused by "string-tree" gadgets. Alnico V Humbucker pickups and the industry-standard Tune-O-Matic bridge. Rosewood fretboard with dot inlays. Double-Waxed Pickups Epiphone utilizes a double vacuum waxing process that ensures optimum performance. The pickup is first placed in the specialized wax vacuuming system before the cover is put in place to ensure that the wax fully penetrates to the very center of the pickup and solidifies all parts. After the cover is placed on, it is again given a second vacuum wax bath until the unit is completely saturated with wax. Output Jack To increase reliability and ensure consistent performance, Epiphone's proprietary output jacks feature an improved contact shape and heavy-duty spring steel. Toggle Switches All Epiphones feature our all-metal, USA designed switches for reliable contact and longer life. Tunomatic Bridge Fully adjustable, the tunomatic remains a classic after over 50 years. Unlike guitars fitted with tremolos, there are no tuning or re-stringing difficulties. Plus, tone and sustain are improved because all string vibrations are transferred directly to the guitar. Potentiometers Epiphone is passionate about performance. That's why their instruments use one-inch diameter potentiometers for better "throw," longer life and reliable service. Quick-Connectors For unequalled reliability as well as ease of service, Epiphone wiring harnesses feature quick-connectors. Specs Pickups: 700T, 650R Hardware: Chrome Scale: 24.75 inches Nut width: 1.68 inches Neck: Bolt, Mahogany Fretboard: Rosewood Inlays: Dot Body material: Basswood Tailpiece: Stopbar Finishes available: Ebony, White, Heritage Cherry Sunburst, Vintage Sunburst, Wine Red

Gibson J-45 Standard Acoustic-Electric Guitar, Vintage Sunburst

admin — Sat, 27 Feb 2010 04:24:44 +0000

The J-45 has been Gibson's top-selling acoustic guitar for years. Nicknamed "The Workhorse" and first introduced in 1942, Gibson's most popular acoustic is now the icon of its round-shoulder, dreadnought line, world renowned for its full, balanced expression, warm bass, and excellent projection. Subtle changes to the bracing of its predecessor--the J-35--made Gibson's J-45 one of most technically advanced guitars of its time. The Workhorse. Nickel Grover Rotomatic Tuners Grover's original Rotomatic tuners are an engineering marvel, with abundant style and performance exactly suited for the J-45. With a gear ratio of 14:1, the Rotomatics deliver precision tuning in a durable housing that provides maximum protection for the gear and string post. All moving parts are cut for exact meshing, eliminating the possibility of slippage. A countersunk tension screw lets players regulate the tuning tension to any degree. A special lubricant inside the gear box provides smooth and accurate tuning stability. Body Tonewoods (back, sides and top) The top of the J-45 is made from AA-grade Sitka spruce, while the back and sides are constructed from pattern grade Honduras mahogany, giving the J-45 its world renowned full, balanced expression, warm bass, and excellent projection. Selecting the right wood, and the formula to dry it out, are two of the most central procedures to Gibson's guitar-building process. Beginning with its first catalog in 1903, Gibson has assured its customers that every guitar would be built using woods with "the most durable, elastic, and sonorous qualities," and today's guitars from Gibson Acoustic are no different. Tapered dovetail neck joint allows the body and neck to become one solid piece of resonating wood. Features a a radiused, or "tuned" top. Body binding adds a subtle elegance. Pickguard The pickguard for the J-45 is Gibson's standard plain tortoise tear drop shape, which has been used on the J-45 since its introduction in 1942. As with all of Gibson's pickguards, the coloring and binding are all done by hand. Rosette A rosette is the beautiful, hand-crafted circle around the soundhole, and can be one of the most ornamental elements of any acoustic guitar. It is also one of the most subtle and complicated woodworking decorations on any acoustic guitar. The rosette on the J-45 is a simple single-ring rosette consisting of three-ply binding, adding a stylish, understated elegance to the J-45 Standard. Rosewood Fingerboard with Rolled Edges and Dot Inlays The fingerboard of Gibson's J-45 is constructed from the highest grade rosewood on earth, which is personally inspected and qualified by Gibson's team of skilled experts before it enters the Gibson factories. The resilience of this durable wood makes the fingerboard extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. The J-45's dot inlays are made of genuine mother of pearl, measuring approximately 1/4-inch in diameter, and are inserted into the fingerboard using a process that eliminates gaps. The fingerboard also sports a rolled edge--instead of the usual right angle where the fingerboard surface meets the neck, Gibson Acoustic's rolled edges are slightly beveled for an extremely smooth and comfortable feel, enhancing the playability of the J-45. L.R. Baggs Element Active Acoustic Pickup System Gibson Acoustic's J-45 comes equipped with the popular Element Active Acoustic Pickup System from L.R. Baggs, which features a low-profile undersaddle element--or transducer--that's proven more stable and durable than many standard ribbon-type pickups. Combined with an onboard preamp with an unobtrusive volume control mounted just inside the soundhole, the Element delivers performance not previously attainable from an undersaddle pickup. Its sleek and effective design removes unnecessary internal components to enhance the coupling between the pickup and the guitar, and improve the sensitivity of the transducer for a robust, lively, and natural acoustic sound with excellent dynamics and delicate high end. The Element works with a standard 9V battery, which is housed inside the guitar in L.R. Bagg's new "Battery Bagg." Bracing Every acoustic guitar made by Gibson features hand-scalloped, radiused top bracing inside the body, a feature normally found only in limited run, hand-made guitars. By scalloping each brace by hand, the natural sound of the acoustic is focused more toward the center of the body, enhancing the instrument's sound projection. The J-45 features a variation of Gibson's "X" bracing pattern situated behind the soundhole, with a set of tall and thin braces for the back, and scalloped tall and thin braces for the top. This legendary bracing design delivers a balanced expression, with punchy, deep lows, warm mids, and clear, crisp highs. When pushed for more volume, the J-45 projects a natural compression, which helps it blend nicely with any accompaniment. Tapered Dovetail Neck Joint The dovetail neck joint is one of the oldest--and best--ways of securely joining the neck to the body of a guitar. It is also a complex and expensive neck joint to build, but the result is a tight, locking connection that supports the neck at the proper neck-pitch angle, allowing the body and neck to become one solid piece of resonating wood, with no metal to impede vibration. This process is done entirely by hand, requiring patience and skill. Radius Top The top of many "flat-top" guitars are under a lot of stress from the pull of the strings, which can eventually compromise the top. So, while most acoustic guitars are true "flat-top" guitars, all of the acoustics produced by Gibson in Bozeman, Montana have a radiused, or "tuned" top. Instead of being perfectly flat, a radiused or "tuned" top is raised slightly, and a special instrument is used to shape the top braces to the radius of the top. This process adds tension and strengthens the top, creating a less stressful joint where the top meets the sides and reducing the stresses of string pull. It also results in a "speaker cone" effect that maximizes sound projection, adding a significant boost to mid-range levels for a more balanced acoustic tone. Nitrocellulose Finish Applying a nitrocellulose finish to any Gibson acoustic guitar--including the J-45 Standard--is one of the most labor-intensive elements of the guitar-making process. Unlike the polyurethane finishes used by many guitar manufacturers, a nitrocellulose lacquer finish is porous when cured, allowing the wood to naturally "breathes and mature. Microscopically thin, the finish on a Gibson acoustic guitar first requires seven main coats of nitrocellulose lacquer. After drying overnight, the initial seven coats are then level sanded and given two additional coats. Left to dry for five additional days, the finish is then wet sanded and buffed to its final glass-like sheen. The time-consuming nature of applying a nitro finish has been employed ever since the first Gibson guitar was swathed with lacquer back in 1894. Why? For starters, a nitro finish means there is less interference with the natural vibration of the instrument, allowing for a purer tone. It's also a softer finish, making it easily repairable. You can touch up a scratch or ding on a nitro finish, but you can't do the same on a poly finish. Body Binding In general, a guitar's binding serves as a cosmetic feature, adding a subtle elegance to any Gibson acoustic while hiding the joints between the top, back, and sides, and helping to protect the guitar's body from any nicks or dings. But to see the process of putting the binding on a Gibson acoustic is to really appreciate the effort and attention put into each instrument. After the body has been glued together, the excess from the top and back are trimmed off and a groove is cut for the binding. The binding is then glued on and held on to the body using tape, and left to dry. When the tape comes off, any excess glue is removed and the body is moved into the next phase of production. It has been done the same way for over 100 years, and is a fundamental part of Gibson Acoustic's rich guitar-making history.

Gibson J-45 Custom Acoustic-Electric Guitar, Vintage Sunburst

admin — Sat, 27 Feb 2010 04:24:44 +0000

The legendary J-45 clearly defines the storied legacy of Gibson acoustics. Without question, the J-45 is one of the most beloved and played acoustic guitars in the history of modern music, and the icon of Gibson's round-shoulder dreadnought acoustic line ever since its introduction in 1942. Today, it stands proudly as Gibson's number one-selling acoustic, and in recognition of this distinguished rank Gibson Acoustic presents the J-45 Custom--one of the most elegant and best-sounding versions of this classic model ever produced by Gibson Acoustic's master craftsmen in Bozeman, Mont. Combining vintage appointments with several modern features, the J-45 Custom delivers the model's renowned tone while adding a new, refined appearance that complements its fundamental design, including a brand new floral and vine abalone pearl headstock inlay designed by Gibson master luthier Ren Ferguson. The J-45 Custom is available in the model's original Vintage Sunburst finish and Antique Natural. J-45 Custom. Traditional Gibson Logo and New Headstock Inlay Design The Gibson name has graced the most innovative and revolutionary acoustic guitars of our time, including the J-45 Custom. There is no mistaking the classic block logo, inlaid in beautiful mother of pearl, representing more than a century of originality and excellence. There is simply no equal. The headstock also features a new flower and vine abalone pearl inlay designed by Gibson Acoustic's longtime master luthier, Ren Ferguson. The elegance and stunning detail of this new hand-engraved figured design gives the J-45 Custom a distinct identity, ensuring its rightful place among the finest Gibson designs of the past. Double-ring rosette with an abalone-filled middle. Hand-engraved flower and vine abalone pearl inlay. Gold Grover Rotomatic Tuners Grover's original Rotomatic tuners are an engineering marvel, with style and performance exactly suited for the J-45 Custom. With a gear ratio of 14:1, the Rotomatics deliver precision tuning in a durable housing that provides maximum protection for the gear and string post. All moving parts are cut for exact meshing, eliminating the possibility of slippage. A countersunk tension screw lets players regulate the tuning tension to any degree. A special lubricant inside the gear box provides smooth and accurate tuning stability. Pickguard The pickguard for the J-45 Custom is Gibson's standard fire stripe tortoise tear drop shape, exactly as it appeared on the very first J-45 in 1942. As with all of Gibson's pickguards, the coloring, inlay, and binding are all done by hand. L.R. Baggs Element Active Acoustic Pickup System The J-45 Custom comes equipped with the popular Element Active Acoustic Pickup System from L.R. Baggs, which features a low-profile undersaddle element--or transducer--that's proven more stable and durable than many standard ribbon-type pickups. Combined with an onboard preamp with an unobtrusive and removable volume control mounted just inside the soundhole, the Element delivers performance not previously attainable from an undersaddle pickup. Its sleek and effective design removes unnecessary internal components to enhance the coupling between the pickup and the guitar and improve the sensitivity of the transducer for a robust, lively and natural acoustic sound with excellent dynamics and delicate high end. The Element works with a standard 9V battery, which is housed inside the guitar in L.R. Bagg's new "Battery Bagg." Tapered Dovetail Neck Joint The dovetail neck joint is one of the oldest--and best--ways of securely joining the neck to the body of a guitar. It is also a complex and expensive neck joint to build, but the result is a tight, locking connection that supports the neck at the proper neck-pitch angle, allowing the body and neck to become one solid piece of resonating wood, with no metal to impede vibration. This process is done entirely by hand, requiring patience and skill. Body Tonewoods The top of the J-45 Custom is made from AA-grade Sitka spruce, while the back and sides are constructed from pattern-grade Indian rosewood, giving the model the same full, balanced expression, warm bass, and excellent projection that earned the original J-45 its much-heralded reputation. Selecting the right wood, and the formula to dry it out, are two of the most central procedures to Gibson's guitar-building process. Beginning with its first catalog in 1903, Gibson has assured its customers that every guitar would be built using woods with "the most durable, elastic, and sonorous qualities," and today's guitars from Gibson Acoustic are no different. Abalone Rosette A rosette is the beautiful, hand-crafted circle around the soundhole, and can be one of the most ornamental elements of any acoustic guitar. It is also one of the most subtle and complicated woodworking decorations on any acoustic guitar. The rosette on the J-45 Custom is one of Gibson's finest. It is a double-ring rosette with an abalone-filled middle. The main ring consists of seven-ply binding, and the second ring is three-ply binding, adding a stylish, understated elegance to the J-45 Custom. Bracing Every acoustic guitar made by Gibson features hand-scalloped, radiused top bracing inside the body, a feature normally found only in limited run, hand-made guitars. By scalloping each brace by hand, the natural sound of the acoustic is focused more toward the center of the body, enhancing the instrument's sound projection. The J-45 Custom features a variation of Gibson's "X" bracing pattern situated behind the soundhole, with a set of tall and thin braces for the back, and scalloped tall and thin braces for the top. This legendary bracing design delivers a balanced expression, with punchy, deep lows, warm mids, and clear, crisp highs. It also projects a natural compression, which helps the J-45 Custom blend nicely with any accompaniment.

Gibson 1942 J-45 Vintage Sunburst Acoustic Guitar

admin — Sat, 27 Feb 2010 04:24:44 +0000

If there is one guitar that defines the legacy of Gibson acoustics, it is the J-45--one of the most beloved and played acoustic guitars in history. Since its introduction in 1942, the Gibson J-45 has become the icon of Gibson's round-should dreadnought acoustic line, and its number one-selling acoustic. In recognition of this distinguished rank, Gibson Acoustic is proud to present the 1942 J-45 Legend--an exact recreation of the legendary acoustic in its first year of production. An exact recreation of a legendary acoustic. Custom Made White Button Tuners Gibson's 1942 J-45 Legend acoustic features period-correct strap open-back white button tuners that are identical to the original Kluson tuners used in 1942. Each tuner is painstakingly handmade for this guitar using the exact dimensions and design as on the original 1937 model, reproduced with precise handcrafted detail, and resulting in a high-quality, vintage tuner not available on any other instrument. Gibson Logo The Gibson name has graced the most innovative and revolutionary acoustic guitars of our time--the Super Jumbos, the J-45, the Hummingbird, the Dove. There is no mistaking the classic, gold block script logo, stamped onto the face of the headstock, with the period-correct banner "Only A Gibson Is Good Enough" directly underneath it. It represents more than a century of originality and excellence. There is simply no equal. 1942 standard fire stripe tortoise pickgaurd. Classic gold block script logo. Tapered dovetail neck joint. Rosewood Fingerboard with Traditional Binding and Classic Dot Inlays The fingerboard of Gibson's 1942 J-45 Legend is constructed from the highest grade Madagascar rosewood on earth, which is personally inspected and qualified by Gibson's team of skilled experts before it enters the Gibson factories. The resilience of this durable wood makes the fingerboard extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. The J-45's classic dot inlays are made of genuine mother of pearl, and are inserted into the fingerboard using a process that eliminates gaps and doesn't require the use of fillers. The fingerboard also sports traditional binding over the fret ends, which was a staple feature of many classic Gibson acoustics for many years. Pickguard The pickguard for the 1942 J-45 Legend is Gibson's standard fire stripe tortoise tear drop shape, exactly as it appeared on the very first J-45 in 1942. As with all of Gibson's pickguards, the coloring and binding are all done by hand. Tapered Dovetail Neck Joint The dovetail neck joint is one of the oldest--and best--ways of securely joining the neck to the body of a guitar. It is also a complex and expensive neck joint to build, but the result is a tight, locking connection that supports the neck at the proper neck-pitch angle, allowing the body and neck to become one solid piece of resonating wood, with no metal to impede vibration. This process is done entirely by hand, requiring patience and skill. Body Tonewoods (back, sides and top) The top of the 1942 J-45 Legend is made from genuine Adirondack red spruce, while the back and sides are constructed from pattern-grade Honduran mahogany, giving the 1942 J-45 Legend the same full, balanced expression, warm bass, and excellent projection that earned the original J-45 its much-heralded reputation. Selecting the right wood, and the formula to dry it out, are two of the most central procedures to Gibson's guitar-building process. Beginning with its first catalog in 1903, Gibson has assured its customers that every guitar would be built using woods with "the most durable, elastic, and sonorous qualities," and today's guitars from Gibson Acoustic are no different. Rosette A rosette is the beautiful, hand-crafted circle around the soundhole, and can be one of the most ornamental elements of any acoustic guitar. It is also one of the most subtle and complicated woodworking decorations on any acoustic guitar. The rosette on the 1942 J-45 Legend is a simple single-ring rosette consisting of three-ply binding, adding a stylish, understated elegance to the 1942 J-45 Legend. Bracing Every acoustic guitar made by Gibson features hand-scalloped, radiused top bracing inside the body, a feature normally found only in limited run, hand-made guitars. By scalloping each brace by hand, the natural sound of the acoustic is focused more toward the center of the body, enhancing the instrument's sound projection. The 1942 J-45 Legend features a variation of Gibson's "X" bracing pattern situated behind the soundhole, with a set of tall and thin braces for the back, and scalloped tall and thin braces for the top. This legendary bracing design--exactly as it appeared in the first J-45 in 1942--delivers a balanced expression, with punchy, deep lows, warm mids, and clear, crisp highs. It also projects a natural compression, which helps the J-45 blend nicely with any accompaniment. Radius Top The top of many "flat-top" guitars are under a lot of stress from the pull of the strings, which can eventually compromise the top. So, while most acoustic guitars are true "flat-top" guitars, all of the acoustics produced by Gibson in Bozeman, Montana have a radiused, or "tuned" top. Instead of being perfectly flat, a radiused or "tuned" top is raised slightly, and a special instrument is used to shape the top braces to the radius of the top. This process adds tension and strengthens the top, creating a less stressful joint where the top meets the sides and reducing the stresses of string pull. It also results in a "speaker cone" effect that maximizes sound projection, adding a significant boost to mid-range levels for a more balanced acoustic tone. Nitrocellulose Finish Applying a nitrocellulose finish to any Gibson acoustic guitar--including the 1942 J-45 Legend--is one of the most labor-intensive elements of the guitar-making process. Unlike the polyurethane finishes used by many guitar manufacturers, a nitrocellulose lacquer finish is porous when cured, allowing the wood to naturally "breathe" and mature. Microscopically thin, the finish on a Gibson acoustic guitar first requires seven main coats of nitrocellulose lacquer. After drying overnight, the initial seven coats are then level sanded and given two additional coats. Left to dry for five additional days, the finish is then wet sanded and buffed to its final glass-like sheen. The time-consuming nature of applying a nitro finish has been employed ever since the first Gibson guitar was swathed with lacquer back in 1894. Why? For starters, a nitro finish means there is less interference with the natural vibration of the instrument, allowing for a purer tone. It's also a softer finish, making it easily repairable. You can touch up a scratch or ding on a nitro finish, but you can't do the same on a poly finish. Body Binding In general, a guitar's binding serves as a cosmetic feature, adding a subtle elegance to any Gibson acoustic while hiding the joints between the top, back, and sides, and helping to protect the guitar's body from any nicks or dings. But to see the process of putting the binding on a Gibson acoustic is to really appreciate the effort and attention put into each instrument. After the body has been glued together, the excess from the top and back are trimmed off and a groove is cut for the binding. The binding is then glued on and held on to the body using tape, and hung to dry. When the tape comes off, any excess glue is removed and the body is moved into the next phase of production. It has been done the same way for over 100 years, and is a fundamental part of Gibson Acoustic's rich guitar-making history.

Gibson J-45 True Vintage Vintage Sunburst Acoustic Guitar

admin — Sat, 27 Feb 2010 04:24:44 +0000

Gibson's new J-45 True Vintage captures the genuine spirit of Gibson's most popular acoustic. Nicknamed "The Workhorse" for its simple, rock-solid construction, the new J-45 True Vintage--hand-made by Gibson Acoustic in Bozeman, Montana--offers the build, materials, looks, and tone of this legendary guitar as it was the day it was first introduced in 1942. This new model stays true to the original in every way, including the same round-shoulder dreadnought body design, with a top made from Adirondack red spruce, custom vintage top bracing, and back and sides constructed from pattern-grade mahogany from Honduras. The genuine spirit of Gibson's most popular acoustic. Gibson Logo The Gibson name has graced the most innovative and revolutionary acoustic guitars of our time--the Super Jumbos, the J-45, the Hummingbird, the Dove. There is no mistaking the classic, gold block script logo, stamped onto the face of the headstock, with the period-correct banner "Only A Gibson Is Good Enough" directly underneath it. It represents more than a century of originality and excellence. There is simply no equal. Nickel Gotoh White Button Tuners Gibson's J-45 True Vintage features Gotoh's nickel white button tuners. With a gear ratio of 15:1, these nickel Gotoh tuners deliver precision tuning in a durable housing that provides maximum protection for the gear and string post. All moving parts are cut for exact meshing, eliminating the possibility of slippage, with a special lubricant inside the gear box for smooth and accurate tuning stability. A simple single-ring rosette consisting of three-ply binding adds a stylish, understated elegance. Classic, gold block script logo. Pickguard The pickguard for the J-45 True Vintage is Gibson's standard plain tortoise tear drop shape, which has been used on the J-45 since its introduction in 1942. As with all of Gibson's pickguards, the coloring, inlay, and binding are all done by hand. Tapered Dovetail Neck Joint The dovetail neck joint is one of the oldest--and best--ways of securely joining the neck to the body of a guitar. It is also a complex and expensive neck joint to build, but the result is a tight, locking connection that supports the neck at the proper neck-pitch angle, allowing the body and neck to become one solid piece of resonating wood, with no metal to impede vibration. This process is done entirely by hand, requiring patience and skill. Rosette A rosette is the beautiful, hand-crafted circle around the soundhole, and can be one of the most ornamental elements of any acoustic guitar. It is also one of the most subtle and complicated woodworking decorations on any acoustic guitar. The rosette on the J-45 True Vintage is a simple single-ring rosette consisting of three-ply binding, adding a stylish, understated elegance to the J-45 True Vintage. Rosewood Fingerboard with Traditional Binding and Classic Dot Inlays The fingerboard of Gibson's J-45 Vintage is constructed from the highest grade Madagascar rosewood on earth, which is personally inspected and qualified by Gibson's team of skilled experts before it enters the Gibson factories. The resilience of this durable wood makes the fingerboard extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. The J-45's classic dot inlays are made of genuine mother of pearl, and are inserted into the fingerboard using a process that eliminates gaps and doesn't require the use of fillers. The fingerboard also sports traditional binding over the fret ends, which was a staple feature of many classic Gibson acoustics for many years. Body Tonewoods (back, sides and top) The top of the J-45 True Vintage is made from top-grade Adirondack red spruce, while the back and sides are constructed from pattern grade Honduran mahogany, giving the J-45 True Vintage the same full, balanced expression, warm bass, and excellent projection that earned the original J-45 its much-heralded reputation. Selecting the right wood, and the formula to dry it out, are two of the most central procedures to Gibson's guitar-building process. Beginning with its first catalog in 1903, Gibson has assured its customers that every guitar would be built using woods with "the most durable, elastic, and sonorous qualities," and today's guitars from Gibson Acoustic are no different. Bracing Every acoustic guitar made by Gibson features hand-scalloped, radiused top bracing inside the body, a feature normally found only in limited run, hand-made guitars. By scalloping each brace by hand, the natural sound of the acoustic is focused more toward the center of the body, enhancing the instrument's sound projection. The J-45 True Vintage features a variation of Gibson's "X" bracing pattern situated behind the soundhole, with a set of tall and thin braces for the back, and scalloped tall and thin braces for the top, all bonded with hot hide glue. This legendary bracing design--exactly as it appeared in the first J-45 in 1942--delivers a balanced expression, with punchy, deep lows, warm mids, and clear, crisp highs. When pushed for more volume, the J-45 True Vintage projects a natural compression, which helps it blend nicely with any accompaniment. Radius Top The top of many "flat-top" guitars are under a lot of stress from the pull of the strings, which can eventually compromise the top. So, while most acoustic guitars are true "flat-top" guitars, all of the acoustics produced by Gibson in Bozeman, Montana have a radiused, or "tuned" top. Instead of being perfectly flat, a radiused or "tuned" top is raised slightly, and a special instrument is used to shape the top braces to the radius of the top. This process adds tension and strengthens the top, creating a less stressful joint where the top meets the sides and reducing the stresses of string pull. It also results in a "speaker cone" effect that maximizes sound projection, adding a significant boost to mid-range levels for a more balanced acoustic tone. Nitrocellulose Finish Applying a nitrocellulose finish to any Gibson acoustic guitar--including the J-45 True Vintage--is one of the most labor-intensive elements of the guitar-making process. Unlike the polyurethane finishes used by many guitar manufacturers, a nitrocellulose lacquer finish is porous when cured, allowing the wood to naturally "breathe" and mature. Microscopically thin, the finish on a Gibson acoustic guitar first requires seven main coats of nitrocellulose lacquer. After drying overnight, the initial seven coats are then level sanded and given two additional coats. Left to dry for five additional days, the finish is then wet sanded and buffed to its final glass-like sheen. The time-consuming nature of applying a nitro finish has been employed ever since the first Gibson guitar was swathed with lacquer back in 1894. Why? For starters, a nitro finish means there is less interference with the natural vibration of the instrument, allowing for a purer tone. It's also a softer finish, making it easily repairable. You can touch up a scratch or ding on a nitro finish, but you can't do the same on a poly finish. Body Binding In general, a guitar's binding serves as a cosmetic feature, adding a subtle elegance to any Gibson acoustic while hiding the joints between the top, back, and sides, and helping to protect the guitar's body from any nicks or dings. But to see the process of putting the binding on a Gibson acoustic is to really appreciate the effort and attention put into each instrument. After the body has been glued together, the excess from the top and back are trimmed off and a groove is cut for the binding. The binding is then glued on and held on to the body using tape, and hung to dry. When the tape comes off, any excess glue is removed and the body is moved into the next phase of production. It has been done the same way for over 100 years, and is a fundamental part of Gibson Acoustic's rich guitar-making history.

Gibson J-45 Vine Rosewood Vintage Sunburst Acoustic Guitar

admin — Sat, 27 Feb 2010 04:24:44 +0000

Epiphone Limited Edition Hummingbird Artist Acoustic Guitar, Vintage Sunburst

admin — Sat, 27 Feb 2010 04:22:59 +0000

A true legend of acoustic instruments, the Gibson Hummingbird was first introduced in 1960 as Gibson's earliest square-shoulder dreadnought. The Epiphone Limited Edition Hummingbird Artist is a no-frills edition of a classic acoustic guitar that features a solid spruce top, mahogany backs and sides for a warm, natural acoustic tone. The 25.5" scale mahogany neck is topped with a rosewood fingerboard that facilitates fast picking styles. Appointments include a sculpted tortoise shell pickguard and split parallel fingerboard inlays. The Epiphone Hummingbird Artist Guitar possesses all the power you expect from a dreadnought and has strong bass tones that are favored by country and bluegrass players.